Below is a review from Keith Fournier, a Catholic attorney, who previewed the
Mel Gibson film "The Passion." It is so moving that I wanted to share it with
others. I thought you'd enjoy reading it. Please continue to pass it along to
those in your address book.
By: Deacon Keith Fournier Third Millennium, LLC Note: Keith A Fournier is a
constitutional lawyer and a graduate of the John Paul II Institute of the
Lateran University, Franciscan University and the University of Pittsburgh.
He holds degrees in Philosophy, theology and law. He has been a champion
of religious liberty and appeared as co-counsel in major cases at the United
States Supreme Court. He is the author of seven books and, along with his law
practice, serves as the president of both the "Your Catholic Voice Foundation"
and "Common Good" "The Passion" I really did not know what to expect. I
was thrilled to have been invited to a private viewing of Mel Gibson's film
"The Passion" but I had also read all the cautious articles and spin. I grew
up in a Jewish town and owe much of my own faith journey to the influence. I
have a life long, deeply held aversion to anything that might even indirectly
encourage any form of anti-Semitic thought, language or actions. I arrived at
the
private viewing for "The Passion," held in Washington D.C. and greeted
some familiar faces. The environment was typically Washingtonian, with people
greeting you with a smile but seeming to look beyond you, having an agenda
beyond
the words. I moved out of Northern Virginia over three years ago and
realized at that moment that I did not miss this kind of approach at all. I
live in
southeastern Virginia now, among people who are neither geographically
nor constitutionally close to "the beltway" mindset or manner. The film was
very briefly introduced, without fanfare, and then the room darkened.
>From the gripping opening scene in the Garden of Gethsemane, to the very
human and tender portrayal of the earthly ministry of Jesus, through the
betrayal, the arrest, the scourging, the way of the cross, the encounter with
the
thieves, the surrender on the Cross, until the final scene in the empty
tomb, this was not simply a movie; it was an encounter, unlike anything I have
ever
experienced. In addition to being a masterpiece of film making and an
artistic triumph, "The Passion" evoked more deep reflection, sorrow and
emotional
reaction within me than anything since my wedding, my ordination or the birth of
my children. Frankly, I will never be the same.
When the film concluded, this "invitation only" gathering of "movers and
shakers" in Washington, D.C. were shaking indeed, but this time from
sobbing. I am not sure there was a dry eye in the place. The crowd that had
been
glad-handing before the film was now eerily silent. No one could speak because
words
were woefully inadequate. We had experienced a kind of art that is a rarity
in life, the kind that makes heaven touch earth. One scene in the film has now
been foreveretched in my mind. A brutalized, wounded Jesus was soon to fall
again under the weight of the cross. His mother had made her wayalong the Via
Dolorosa . As she ran to him, she flashed back to a memory of Jesus as a child,
falling in the dirt road out side of their home. Just as she reached to protect
him from the fall, she was now reaching to touch his woundedadult face. Jesus
looked at her with intensely probing and passionately loving eyes
(and at all of us through the screen) and said, "Behold I make all things new."
These are words taken from the last Book of the New Testament, the Book of
Revelations. Suddenly, the purpose of the pain was so clear and the wounds,
that earlier in the film had been so difficult to see in His face, His back,
indeed all over His body, became intensely beautiful. They had been borne
voluntarily for love.
At the end of the film, after we had all had a chance to recover, a question and
answer period ensued. The unanimous praise for the film, from a rather diverse
crowd, was as astounding as the compliments were effusive. The questions
included the one question that seems to follow this film, even
though it has not yet even been released. "Why is this film considered by some
to be "anti-Semitic?"
Frankly, having now experienced (you do not "view" this film) "the Passion" it
is a question that is impossible to answer. A law professor whom I admire sat
in front of me. He raised his hand and responded, "After watching this film, I
do not understand how anyone can insinuate that it even remotely
presents that the Jews killed Jesus. It doesn't." He continued, "It made me
realize that my sins killed Jesus" I agree. There is not a scintilla of
anti-Semitism to be found anywhere in this powerful film. If there were,
I would be among the first to decry it. It faithfully tells the Gospel story in
a dramatically beautiful, sensitive and profoundly engaging way. Those who are
alleging otherwise have either not seen the film or have another agenda behind
their protestations. This is not a "Christian" film, in the sense that it will
appeal only to those who identify themselves as followers of Jesus Christ. It
is a deeply human, beautiful story that will deeply touch all men and women. It
is a profound work of art. Yes, its producer is a Catholic Christian and
thankfully has remained faithful to the Gospel text; if that is no longer
acceptable behavior than we are all in trouble.
History demands that we remain faithful to the story and Christians have a right
to tell it. After all, we believe that it is the greatest story ever told and
that its' message is for all men and women. The greatest right is
the right to hear the truth. We would all be well advised to remember that the
Gospel narratives to which "The Passion" is so faithful were written by Jewish
men who followed a Jewish Rabbi whose life and teaching have forever changed the
history of the world.
The problem is not the message but those who have distorted it and used it for
hate rather than love. The solution is not to censor the message, but rather to
promote the kind of gift of love that is Mel Gibson's
filmmaking masterpiece, "The Passion." It should be seen by as many people as
possible. I intend to do everything I can to make sure that is the case. I am
passionate about "the Passion." You will be as well. Don't miss it! >>
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